The Blue Gap

The ISAC training course considers the body as a tool and territory for artistic and political research, and approaches choreographic forms in a broader sense. Echoing Stéphanie Roland’s exhibition Blue Marble, the choreographer and transdisciplinary artist Maïte Álvarez proposes, with ISAC students, a work on the time and duration of the night. The work of cartography and astronomy, the filmed images and the fictional character of the works are the starting points and meeting points of a collective choreographic activity in order to bring out, through the bodies, an amplified and incarnated form of the artist’s plastic writing.